If music be the food of love, play on.
-Orsino, Twelfth Night


Friday, July 3, 2015

Oh Brother, Where Art Thou Rayo Brothers?





Jordan Rivers and The Soggy Bottom Boys
Just kidding...it's The Rayo Brothers!

 Brace yourselves, I'm going to rave about these guys and their music. They were one of the few local bands I was excited to see live. I know good music when I hear it so trust me when I say if you haven't been to a Rayo Brothers show, you're going to be insanely impressed with these local guys. They're a big part of the reason I started attending more local shows. They somehow manage to successfully strike a balance between lively and relaxed. The music, upbeat and invigorating, and yet, they project to the crowd this understanding that they’re just fine with you standing against the wall, tapping your foot. And, as someone who does this regularly at shows and has to constantly remind my closest companions that “Yes, I’m okay. No, I’m not mad, this is just how my face looks," it makes attending these shows wonderfully enjoyable. And hell, if you’re not having fun, there are far too many people dancing for them or anyone to even notice. So go on, brood away. It's one of those shows you can attend by yourself and still have fun. I’m not sure what caused me to be hyper-aware that this was the most comfortable local music show I have been to, but I even noticed the comfort and ease the band had with one another. There may only be two members who are actually brothers, but they all have this presence with each other on stage that it's obvious they're tremendously at ease with one another as musicians and long-time friends. 

They're also very at ease with awkwardly nervous, amateur music bloggers. I had the chance to sit down with Daniel and Jesse Reaux to talk about their music, how they began, and what's next for the band.

Have you guys ever done a rendition of "Man of Constant Sorrow"? You should.

In 2011, Daniel and Jesse began performing open mic nights at Bisbano's and Artmosphere with songs Daniel wrote. At the beginning of 2012, they competed in a several week competition at Artmosphere for singers and songwriters, and won. Today, they consist of brothers Daniel and Jesse Reaux, Lance Kelehan, and Jordan Ardoin, along with fiddler Sarah Jayde Williams. Growing up with country and folk influences, their motivation for what Jesse describes as "the soul of why we make music" came from artists like Bill Monroe and Hank Williams. But what made them want to start a band and play live came from the more modern bands like Crooked Still, The Avett Brothers, and Mumford and Sons. They definitely hit the mark because when they were brought to my attention, I was told they were along the lines of Mumford and Sons (and who doesn't love M&S?). But it's hard to accurately place their music, even for them, because there is a mixture of genres, so I asked what things they consider when they set out to make music, and you can't help but love their answer: "Anything that's really fun." More so, they're still at the point where they're playing what they like to play. And like I've said before, when artists are making music for the sake of a good time, the results are going to be phenomenal, and they're a prime example.

I also wondered what it was like to work with siblings. My sister and I fought until we were adults, so if we were in a band together, I think we'd want to ring each others' neck (désolé, sœur. C'est vrai). But Daniel and Jesse feel like their work together is very natural, and it makes sense. When the music and experience they set out to create lies in the foundation that they're having fun doing what they do, it's going to flow naturally. But they're still serious about their music and have high ambitions for the places they want to perform: Voodoo Festival, House of Blues, and Austin City Limits. Easy peasy, they've conquered Jazzfest already. 
Jameson: the Nickelback of whiskey. 
No? Just me? Moving on..


I try to be diligent about keeping pictures and videos to a minimum when I'm attending live shows; I want to give as much consideration to the experience as possible, but there are some things I want to capture and be able to look back on. I was at a dinner party one night recently and a man, whom I was having a discussion with about technology asked, "How many people do you think actually go back and watch those videos from concerts?" After some discussion we arrived at the conclusion that I'm an anomaly because I saw Sara Bareilles three years ago and I still watch the video I took from that gig, reminiscing about being merely seven feet from her. I was like my twelve year old niece at a OneDirection concert: "I just breathed the same air as OneDirection!"  But while watching The Rayo Brothers, I realized that they were about to kick it up a notch, and I knew I needed to catch it. It was about 3/4 of the way through a song when the entire place began stomping their feet with the music and It. Was. Glorious. It was one of those moments where you are forced to stop, look around, and smile at people around you being completely free of worry. At this very second, my phone decides to run out of storage, so I don't have a video of this awesome spectacle to post, and I'm very contrite about it. But, this just gives me yet another reason to see them play again, so I'll have one then when they play at Feed N Seed on July 10. In the meantime, the brothers are working on a music video for their title track "Gunslinger" which is due to premier sometime in July, so be on the lookout for that, I'll be posting it here. Jesse also let me know that they hope to have a new album out in time for Festival International next year.

Featured here: serenading in an alley. I don't recommend this for a date.

Aside from being talented Americana folk artists, they're extremely humble and very welcoming. More importantly, they're obviously passionate and proud of what they're doing on top of having jobs and families. I sure hope these guys get far in their music careers because seeing people as real and down to earth as they are is refreshing. And what's great about Lafayette's local music scene is that you can catch one or two members from one band mixing with other bands for shows around town. Jesse Reaux teamed up with SourSedans for a couple of songs during Blue Moon's melting pot show a few weeks ago. It's a unique experience, so get out there and catch these guys. You never know what you'll see. Check out their album while you're grilling for the 4th this weekend, then go see their next show Friday, July 11 at Feed N Seed. (Seriously, how great is that place?)

Happy listening!


Photo Credit: Mandie Kiddy
mandiekid.wix.com/mdkphotography

 Follow me on Instagram for updates of this blog and my adventures in live music @ml_brew

Wednesday, June 24, 2015

Local Lineup




Salut! As promised, the line up for local artists! Any new additions will be updated in a new post, along with the existing lineups. Now, put down the remote, get off the couch, grab your shoes, and come say hello and enjoy local music with us. If you can't find at least one interesting band to go listen to, you aren't living and have no taste in music. (Ha, I'm just kidding.)



But really...



Blue Moon Saloon
June 25- Zig Zag Wanderers w/ Pelikenesis
June 26- Northside Eric and the Southside Playboys w/ Blayze and Saddles
June 27- Freetown Aces w/ Sweet Willy Savoy: Rockin Piano
July 3- Isle Derniere
July 10- Zydeco Radio w/ Cedryl Balou and the Zydeco Trendsetters
July 12- Runner of the Woods with Lisa Trahan and Lesprit Cadien
July 17- La Recolte CD Release Party with Oeuval
July 18- The Figs and Michot Merrymakers
July 25- Roddie Romero and The Hub City AllStars
July 31- Feufollet and Pine Leaf Boys

 Feed n Seed
June 25- Hillbilly Bradford
June 26- Chris Trahan + Dr. Ski
June 28- Steve Riley + Mamou Boys
July 2- Matthew Azrieli + Derek
July 3- Foxfire + Oh! Kelly + Day Like This
July 10- The Rayo Brothers
July 12- Stop the Clock Cowboy Jazz
July 17- Mike Dean Band
August 8- Henry + The Invisibles

Artmosphere 
June 27- Honey Suckle w/ Shane Blanco
June 28- A Funk Band Named Machete
June 30- Clay Cormier
June 29- Big Deal Burlesque
July 4- Delta Drifters
July 4- Charles Vincent + Gold Beneath the Highway + Cathead Biscuit Boys
July 17- Sunshine Mamas w/ Shane Cooley
July 18- Singer/Songwriter Showcase
July 19- The Kid Carsons + Killer Whale + Caleb Caudle + Denton Hatcher
July 20- Gal Holiday and the Honky Tonk Revue
July 27- Dash Rip Rock
July 28- Taylor Verrett
July 31- Nickels and Dimes
August 1- Soul Creole
August 2- We Leave at Midnight
August 3- The Onlies
August 4- Jackie Myers Band
August 9- The March Divide
August 10- The Roebucks
August 11- Aimee Bobruk
August 14- Pine Barons w/ The Districts
August 15- Jimmy and the Frenzy
August 16- The Mercy Brothers
August 17- Jim Pharis
August 21- Hartle Road
August 22- The Conrads w/ The Pits
August 23- Brass Bed
August 24- Lily Brave
August 28- The Wanderer's Drift
August 29- The 1 oz. Jig
August 30- A Funk Band Named Machete


Bayou Tech Brewery

June 27- Diego Martin-Perez + Sweet Cecilia
July 4- Diego Martin-Perez Lost Bayou Ramblers
July 11- Drew Landry
July 18- Drew Landry + Beausoleil Trio
July 25- Michael Juan Nunez
August 1- Dustin Sonnier
August 8- Plaquemines Brule
August 15- Jimmy Breaux
September 19- Babineaux Sisters

Whiskey River
June 28- Geno Delafose

Route 92
July 18- John Conlees


Features coming soon: The Rayo Brothers + Mike Rosenberg + The Barr Brothers


Photo Credit: Mandie Kiddy Photography
Bands and venues can email their upcoming gigs to Megan @ mlbroussard@outlook.com

Follow me on Instagram for updates of this blog and my adventures in live music @ml_brew

Monday, June 22, 2015

Foy, how was your drink?

"It was good."

 I'm sorry this one has taken awhile. There are a couple of reasons behind the delay. For starters, summer classes began, so that takes priority. And secondly, I haven't been able to make up my mind about how I wanted to discuss Foy Vance. I went to this show knowing that it was going to be interesting, rare, and raw. His music speaks volumes about heartbreak and the anguish that follows. But I wasn't prepared for what was about to take place. I left the venue feeling a little curious, a little confused, and a little drunk, and as much as I would love to say "drunk on music," I can't. 
It was booze. Lots of booze.

Ever been to a gig and thought it was going to be a train wreck? Yea, me neither...until I went to this show. (Stay with me...it gets good.) Fun fact tangent: there's a word for the feeling of being vicariously embarrassed for someone. It only exists in German as far as I know: it's called fremdschämen. (Bart, if you're reading this, please correct me if this is all kinds of wrong.) Anyway, this is how I felt at one point very early on. We get to Gasa Gasa, which is about the size of a sauna; I immediately felt a difference between New Orleans and Lafayette. Nola, as much as I absolutely love you and your quirks, your bar patrons need to lighten up a bit. To the guy standing at the bar with your drink: I nearly punched you for blocking the way for us little folks, but you were 6'10 and scared me. At about 10:30, Foy came up for his set following this cute Irish kid, Ryan McMullan (you should check him out, too.) All seemed fine; he grabbed his guitar, sat down, started to play, and then yells in his thick Irish voice, "F*ck this! It doesn't sound right." He unplugged his guitar, came to the front of the stage and played completely unplugged and acoustic. I thought, "DAMN! YES! Best twelve bucks I've ever spent! This is going to be amazing!"

Then he fell over backwards. 

 He. Was. Hammered. Drunk. About 20 minutes before his set, I became acquainted with the woman sitting next to me on the bench. She has been following Vance's music for about eight years, so I guess you could say he was to her as Sara Bareilles is to me. So the instant he went down, she turned to me and said, "I can't believe this is happening." But something else happened...the music kept going. He stayed laying down and finished the song.

 But you can get away with anything with a 'stache like that.

Now, I could make this completely cliche about musicians and artists drowning their demons in alcohol as they battle with misery and heartbreak, but I know some things about Vance, and those details aren't in my arsenal and I'd rather not make assumptions. For all I know, he was driving all day and maybe spent the rest of it on Bourbon Street. Hell, haven't any of us done the same? The rest of the gig was actually pretty good despite his stupor. He still sounded amazing and played flawlessly without any mics or amps, standing there in the center of a room full of people Yes, he did manage to get up from his previous resting position and played the set. He even invited people on stage to sing with him towards the end.

And then he was gone. He literally sat his guitar down, and walked out. I thought he was going get more vodka, but Allie schooled me on what an Irish goodbye means. She's such a great teacher.

But I digress. I've grown up a fan of raspy vocals; in my eyes, my cousin practically trademarked this singing style. So Vance's music immediately captivated me when I first heard "Closed Hands, Full of Friends." He has teamed up with Bonnie Raitt in the past, and when Ed Sheeran was thirteen, his dad would take him to Vance's shows. To this day, they have toured together several times. 

 Turn off your Beyonce album and listen to this. Yea, I saw you.
Warning: He says a bad word twice.

Vance's lyrics are abundant in the spectacular miseries of heartache and longing. Add a folk melody with his voice, and you have a song that will tug at you every time it plays. "Midnight Starlet" lulls me to sleep, it's so soft. What I like about Foy is that he takes his time writing songs, so they feel very natural. It took years for "Joy of Nothing" to follow up his first album "Hope." In an interview he said, "When you write for a reason it doesn’t work out right. You need to write just for the sheer joy of writing it. Sometimes people in that business work at songs day in and day out tend to think about…oh you know, Taylor Swift needs a new song or whoever needs a new this, and you know that’s just the wrong way to write music as far as I’m concerned.”

So, despite the worry of whether or not he was going to end up with a concussion before the night was over, I managed to see a human, not a musician playing music. Was it perfect? No. Am I not going to try and see him live again because of this? No, because I have Bangor Abbey live and he's badass on it. We go to these shows with high expectations for artists to deliver this flawless performance and we forget that they're people, too. We get so caught up with being a fan that we don't remember the times we didn't always measure up to the expectations of others, and there's nothing wrong with that. So he fell on stage, but he kept playing on, and I have respect for him because of it and still enjoyed the show. When I watch the above video, I forget all about what happened and remember that he is a rare gem in music. Not many have the talent that he has. So thanks, Foy. Hopefully though, next time you'll only get one drink at a time (I talked to the bartender, you weren't fooling anyone).

Thanks to Gasa Gasa for sending me their upcoming shows this week. Check them out:
Monday June 22: Jonathan Freilich
Tuesday June 23: Progression Music Series with Honeyvibe, Chantil Dukart & Micah Jasper.
Wednesday June 24: Y Los Dos Pistoles
Thursday June 25:  Alexis & the Samurai (Sweet Crude) with Prom Date & The Sour Notes 
Friday June 26: Sisters in Christ; PLEASURES, Sexy Dex & the Fresh + Blood Blog
Saturday June 27: Darcy Malone & the Tangle

Follow me on Instagram for updates of this blog and my adventures in live music @ml_brew

Friday, June 5, 2015

Dylan fans: A mini post for your reading pleasure.

The New Basement Tapes

 
 

Ah, the famous "basement tapes" of Bob Dylan. In 2014 or so, someone found a box chock full of Dylan's lyrics in the same house he recorded his sixteenth album, so Dylan gave it to T Bone Burnett. They were never produced so what does Burnett do? Assemble the avengers of modern music: Jim James, Elvis Costello, Marcus Mumford, Taylor Goldsmith, and Rhiannon Giddens to bring the previously unknown music to life. Oh, by the way...it was all done in two weeks. Their goal was to mimic the artistic freedom of the original basement tapes.
Showtime did a documentary on the production of the precious contents of the box. Here
 is a clip from the production of Kansas City. Johnny Depp fans, rejoice. He just showed up to look pretty. And play the guitar...yea that too.

"When I Get My Hands on You" probably has the best sultry, seductive sound I've heard outside of Lionel Richie. (Sorry, I'm a folk fan, people.) And say what you will about Mumford and Sons, Marcus has the voice of a god. I've heard him on videos of the absolute worst quality and he still sounds better than all of the singers on mainstream radio. So yea, he was a great choice for this.

If Dylan can trust Burnett, so can you. Check them out.
The New Basement Tapes

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Thursday, June 4, 2015

Back To the Trail

Take me back to the night I saw Lord Huron live.


While doing research for this post, I came across some interviews with the band's lead singer and founder Ben Schneider. As if I didn't already have tremendous love for the man responsible for writing some of the best lyrics I've heard in recent years, I've reached new depths of love after all that I have learned. But this isn't about my musical crush.


 But really though, look at him. Gah, so handsome.

It's about the fact that within the album's tracks are not personal stories, but rather Schneider has woven different fictional elements into the contents of the songs. The album almost works as an anthology of short stories, and those stories have more stories behind them. In an interview with NPR Music, he explains how the songs feature different character anecdotes. There's a wonderfully scripted narrative in this album which features travelers, lovers, sirens, and Punisher-like characters. The song "Love Like Ghosts" for instance is from the perspective of a female lounge singer named Frankie Lou with a mysterious, dark past, "Fool for Love" is narrated by Buck Vernon, a washed up country singer from the late 60s and suffers from hallucinations (he didn't go into details about this and now I'm more intrigued), and a working class man seeking revenge with leather jacket ruffians is the central character of "The World Ender." Whatever influences the creativity of Ben Schneider's mind, I hope he's comfortable with it because this kind of writing in music is fascinating. As a literature major, I found this background on the songs I love so dearly to be a complete game changer in the best way. Those who know me know that I love poetry and stories; I blast my Instagram and Facebook with it enough on a regular basis, so finding this insight behind the album was phenomenal.

The name Lord Huron comes from Schneider's home state of Michigan on Lake Huron. In an interview, he stated that as a child he would spend time there and pretend he was the Lord of the Lake. I first heard these guys in a Zales commercial about three or four years ago. Isn't the Shazzam app the greatest thing since the Walkman player? Their wanderlust inducing song "Ends of the Earth" swept me away and I've been floating in their sounds ever since as a die hard fan. Schneider initially started on an EP as a side solo project while working at an ad agency and ended up being asked to book shows. So he grabbed some childhood friends and fellow musicians, they started playing live and have been together since 2010. Their first full length, marvelous album "Lonesome Dreams" features in some songs what I can only assume is every instrument they could get their hands on, and still somehow managed to make it all work together. There's a ton of sounds coming at you when you listen to Lord Huron, especially in the lengthy, beautiful intro to "The Man Who Lives Forever".

On April 6, 2015, they released their second album "Strange Trails" which only further sealed my love for them. What's great about Lord Huron's album style is that it's sequential as one body of work. Sure, the songs can stand alone, but like the album which features fade-outs and fade-ins between tracks, they also play this way live. I was able to see them in New Orelans in May at the Civic Theatre (which by the way, if you haven't been there, it's amazing).

So my sister came along.


The show was on a Friday at 9 pm, I got off of work at 6 pm and we made the two and a half hour drive to New Orleans with Kelly having no clue what of she was getting herself into. Having never heard of them, she asked, "Can I dance to them? Can I wear my cowboy boots?" in her usual 20 question style. She's right, she's no ride or die chick. She HAS questions. Did I mention that I had work at 8 am the next morning and we made the two and a half hour trek back in the same night? Totally. Worth it. Also? My sister left a fan. They put on a phenomenal live show. Double also? Ben has some good foot work; it was entertaining to watch him shuffle around the stage enjoying their own sound. (Yes, I have a huge crush. What of it?)

A too short video of "Love Like Ghosts" live.  I'll get better with videos, I promise.

Despite the plentiful undertones of death and loss, the music also has a whimsical nature tone; Like I said earlier, it's as though the album is a compilation of old adventure stories.

If I could stress one thing to music listeners is that in order to fully appreciate music, be sure you listen to the words. Appreciate the work and art that goes into taking language and applying a specific mix of sounds to it to convey the full emotion that went into writing. Songwriters are storytellers, and there have been times where I'm half-ass listening and only when I actually pay attention to the lyrics does the song change completely and take on a new sound and meaning. It permanently inks itself on me once I listen closely (hey, what's a few more tattoos?) And after learning so much behind the songs of "Strange Trails" and Schneider's visionary spin on music and storytelling, I will never listen to my music library the same way again.

Encore of "The Night We Met" Not shown here: me crying for this song or punching the guy who yelled "Free bird!"

If you follow me on Spotify, you'll see them frequent my music player. They'll be playing at the Austin City Limits Festival in October and I plan on catching them, if possible. Until then, here are the remaining tour dates for Lord Huron.

 Follow me on Instagram for updates of this blog and my adventures in live music @ml_brew

Happy Listening

Sunday, May 31, 2015

"I Do It for Love, Love, Love.."

The Why. 

Anecdotes aren't my thing, so I'll just jump right in.
I'm starting this because I love music: everything from Passenger to David Nail, Enya to Lady Gaga, and Sara Bareilles to Linkin Park. All of it. When I'm not working or sleeping, I have earphones in listening to something. Scratch that--music is a big part of my work as a Massage Therapist, and I usually fall asleep with the earphones too, so my life essentially revolves around it. Music is healing, which is why it is used in massage sessions frequently. In the darkest times of my life, it is what I have turned to for comfort and coping, and I think most, if not all music lovers would say the same thing. I'm also a writer and poet, but there are times when I have a hard time writing about the things going on around me. That's where music comes in. As a literature major at the University of Louisiana at Lafayette, I have a deep appreciation for written art in all its forms: poetry, short stories, novels, etc. Lyrics are poetry and there should be an appreciation for the songwriters as well as the musicians. Music possesses this universally reassuring aspect that reminds us that we are most definitely not alone in this whole life thing, and that should be celebrated however and whenever possible. Live music takes the songs we hear on our iPods and brings them to a point that is nearly tangible.

 

The How. 

So the plan is to grab some friends and travel around to witness the art that is music and live music and talk about it. Just like we should care about the things we put into our bodies for nutrition, we should care about the music that goes into our ears, and the goal I'm trying to accomplish is simple: share the music and help people recognize and appreciate the art of creating what we enjoy listening to. I've made it a hobby to find up and coming artists and blare their albums on repeat, learning the lyrics within 24 hours, as well as bombarding my Facebook news feed with videos and song tracks, trying to convince my friends to check them out (sorry, not sorry friends. You've been missing out). Now, I figure if I let people voluntarily read about the music coming to our area in the South, they might actually take a listen--versus shoving it into their ears. Lesser known artists have an energy like I've never seen. They're still in the phase where they are willing to experiment with their sound and what a privilege it is to be a witness to the transitions small bands go through. Their presence on stage is still raw and new, and it's an honor to be a part of that phase.

Lafayette has one of the most amazing live music scenes in the country and it remains a fairly unknown gem. Most folks know Southern Louisiana as the go-to place for Zydeco. But not many realize that we have a huge Indie Rock, Folk, and Blues scene. For me, this was unbelievably reassuring since these are my preferred genres.

The What the Hell We're Doing.


I'd one day like to see Lafayette become a major live music powerhouse like New Orleans and Austin, where headlining artists will want to come and experience the crowds that live for live music and the unique, intimate venues Lafayette holds dear. We just need to put our names on the map. So this is where we're starting. A central place where fans of Indie, Folk, Zydeco, Country, Rock, and many more genres can go to get the background and guidance for the best music. With the help of some friends, the goal is to collaborate and spread the word on local talent.

Aside from sharing local artists, we'll be sharing some artists worth checking out from around the country as well as international artists that haven't made a crossover yet. We hope you will find it worth your while to check out the featured musicians and songwriters. 

Until then, keep it raw, keep it real. 

 Follow me on Instagram for updates of this blog and my adventures in live music @ml_brew